In Abstract Faces, the artist constructs a multi-layered emotional dialogue among surreal, elongated figures rendered in bold palettes of ochre, emerald, violet, and crimson. The fragmented forms and overlapping planes evoke echoes of Picasso’s late Cubism and African-inspired abstraction, yet the composition carries a distinctly personal rhythm.

Each face appears both isolated and intertwined — a meditation on human relationships, identity, and perception. The textured surface and interlocking geometries draw the eye inward, suggesting the inner turmoil and connection that coexist within shared space.

This work is a statement on emotional dissonance and collective consciousness, where form bends under the weight of feeling rather than logic.

Here, the human form dissolves into emotion. Every distortion tells a truth that realism cannot.